このシリーズ では人生の3分の1の間離れていた母国に還りその風景をフィルムで撮る。地理的距離に取り残された感情を埋めようと、無意識に見覚えのある個体や穴の形に注目。風景に一致を求めようとする行為の中で、偶然と必然の距離を伺う。

 

In this series, Nakano took film photographs of her unfamiliar motherland that she was away from for so long. In attempting to fill an emotional void of the physical distance, she unconsciously focused on universal and familiar forms of objects and holes. She questions the idea of inevitability and coincidence while she desires the scenery of 2 countries to correlate.

 

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